Hypatia Sorunke
April 3, 2025
Dylon Lamar Robbins
Sep 11, 2023
Catherine Chen & Georgios Cherouvim share about their collaboration, the pen plotter machine, and ideas around labor & automation.
Dennis RedMoon Darkeem shares his process of creating art that connects to land and place.
Chia Amisola introduces their CultureHub residency project, Himala, and shares the process behind her durational desktop performances.
Art Jones introduces his CultureHub residency project Transmitting Live from Virtual Babylon and what inspires him to create a new work.
SeoulArts hosts three artists-in-residence from different backgrounds, sharing diverse approaches to site-specific performance: Stephan Koplowitz (United States), Raymund ‘Rama’ Marcaida (Philippines), and Cat Mahari (United States).
A recap of performances and collaborations at Pieter Performance Space in LA, The Firehouse in Joshua Tree, The Dorothy Disney Lund Theater at CalArts, and a recording session at Coyote Run Studio in January 2024.
Creative coder Olivia Jack uses Hydra, her custom built live coding platform, to explore feedback loops created through human-computer interaction.
Collaborating forces Paul Pinto and Kameron Neal surround viewers in a white void while a chorus of floating heads muse on privilege, appropriation, and the history (or plague) of “whiteness” in the U.S.A.
Mystic, educator, and artist Mx. Oops brings seemingly disparate realms together to push the boundaries of performance and self.
Using sound, video, music, and paint, Joseph Brock plays with patterns and loops to search for freedom, survival, and escape.
Komungo virtuoso Jin Hi Kim shares her journey to create the first electronic komungo which integrates emerging technology to open new compositional and spiritual pathways.
Novelist Maxwell Neely-Cohen collaborates with writers, creative technologists, and game designers to prototype a dynamic system that responds to live literary performance.
Bailey Hikawa and Scotty Wagner discuss their project 100 Year Plan which combines livestream performance, pre-recorded videos, songs, websites, and wearables.
Italian theater directors Daniela Nicolò and Enrico Casagrande discuss the history of Motus, their collaboration with La MaMa’s Great Jones Repertory Company, and their immutable exploration of the unknown.
Ana Knezevic explores invisible spatial realms and their possible interactions with real space in her virtual reality project Voiding the Void.
Blair Simmons discusses her self-coded program that uses artificial intelligence to generate theatrical texts which are interpreted and performed by live actors.
Kristin McWharter combines sculpture, virtual reality, and party games to explore how physical contact within virtual spaces can manipulate social behaviors.
Billy Clark